LABspace and YAA
(prounouced “yah”- a group of young Albany-based artist) are pleased to present
\per-‘vert\
{v. tr.}.
1.
Alter something from its original course, meaning or state to a distortion or
corruption of what was first intended. Oxford English Dictionary
2.
A group show exhibition of painting, drawings, sculpture, printmaking and
animation
The verb “to pervert” is the organizing
principal around this show. These artists are actively perverting standard uses
of materials and subject matter, deteriorating form, playing with contortions of reality, and/or
creating interdisciplinary, cross-media artwork. A reception will open the show on Friday, December 9th from 6:30-8:00 pm. Gallery Hours are Saturday December 10th from 11-5 and Sunday December 12 from 11-2.
Bugzdale begins
with digital photographic self-portraits, which he then transfers to canvas. He
works into the canvas with acrylic paint and modeling paste creating areas of
pure abstraction alongside areas representation.
Jake Fallat
perverts the use of traditional metal casting of busts and portraiture along with animal organs
collected from his day job as a butcher to create metal castes of grotesque
imagery.
Kelsey Bzdyk
paints on panel to open portals of perception of space and perspective. She
creates geometrical grids which separate various imaginary patterns and
universes.
Robert Houle asserts
there is no such thing as representational art, therefore all art is an
abstraction. Using intuitive mark-making he constructs figurative realism from
an abstraction that changes focus depending upon scale.
Ariana
Schrader-Rank contrasts perceptions using her work with printmaking, drawing,
animation and other various media. By integrating dynamic relationships into
her process the final outcome is one that is elaborate, yet subtle.
Bettina Martin
creates figurative abstractions of the female form that look fragmented, almost
like stained glass. Martin, a tattoo artists by trade, is concerned with the role of
women in the tattoo industry and the concept of female body modification. However this work perverts rather than
convert by appropriating the tattooed female figures and classical
representations of women, as well as tattoo flash sheets (pre drawn designs for
the mainstream use in tattoo shops) and through the use of Photoshop Martin
creates a corruption of the classical.
Melissa Flagler paints awkward and clichéd snapshots her
moments of voyeurism that encounters of other people’s interactions. Actual
happenings, remembered or recorded become her subject, commenting on the quirks
of society and actors. Using oil paint, she emphasizes the figures and removes
or negates their setting.
LABspace was founded and is directed by the
artist Susan Jennings. The gallery is dedicated to experiments in curation,
exhibiting category-busting and/or materially surprising contemporary art, and
hosting performance art, screenings, readings and music that push the boundaries
of categorization, participation and/or experience.
LABspace is located at 2462 NY RT 23 just west of NY RT 22 in Hillsdale, NY.
LABspace is located at 2462 NY RT 23 just west of NY RT 22 in Hillsdale, NY.
For further information please contact labspaceart@gmail.com
http://labspaceart.blogspot.com/
https://www.facebook.com/pages/LABspace/620894894642447?fref=ts
http://labspaceart.blogspot.com/
https://www.facebook.com/pages/LABspace/620894894642447?fref=ts
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