Saturday, June 17, 2017

June 17th Transitional Day from One Project to the Next. Open 1-5 for Pickups with Pizza at 4pm



The gallery will be open today from 1-5 as we transition from the wonderful and very successful show "Taconic North" to our next project, "Come Together" a durational one-month community collaborative painting studio and local activist center. More details will follow about Come Together which will launch next Saturday with regular hours, 11-5 and by appointment via labspaceart@gmail.com.  Today all are welcome to learn more about "Come Together" and begin to participate, to pick-up art (and checks if I owe you one) or to buy any of the remaining works from Taconic North as we de-install.

Pizza delivery at 4pm!

Friday, June 9, 2017

Final Weekend Events for Taconic North at LABspace on Performance by "Tofu" on June 10th from 6-7pm and Closing Reception on June 11th from 5-7pm

Taconic North, the large group show of small works by 117 area artists is coming to a close at LABspace this weekend. To celebrate we have scheduled two events. Tofu, comprised of Katia Santibanez (whose work is featured in Taconic North) along with her husband, the artist James Siena. The duo performs charming songs of yesteryear as well as some of their original pieces, in English, French and Spanish. They will be joined by a short acoustic set by Black Lake (Susan Jennings and Slink Moss.) The performance will be from 6-7 this Saturday, June 10th and is free of charge.

Santibanez' work is represented in NYC by Morgan Lehman. Siena's work is represented by Pace Gallery.

Then on Sunday, June 11th from 5-7 there will be a closing reception for the exhibition to which all are invited. Homemade strawberry shortcake will be served at this event (until it runs out.) All are welcome. Please note that the gallery will not be open on Sunday other than for this reception unless by appointment.
Katia Santibanez, SYMPHONY IX, 2014, photo collage on board, 4x3 inches

Katia Santibanez and James Siena








Sunday, May 28, 2017

Offsite Reception at Guy Walker's Tool Shed Installation in North Hillsdale, Sunday May 28 11-1pm

All are welcome to attend a brunch reception at Guy Walker's Tool Shed Installation in North Hillsdale TODAY Sunday May 28th from 11-1 at 715 Hunt Road in North Hillsdale off of Rt 22. Please no dogs and please part on the road, not the driveway.

The gallery will be open from 10:30 -2 today.

646.567.9681 or labspaceart@gmail.com for questions.





Wednesday, April 12, 2017

Taconic North: A Very Large Show Of Very Small Works By Area Artists Curated By Susan Jennings and Julie Torres April 15th-June 11th

    Christina Tenaglia, Untitled (703), 2016, wood, paint, ink, nails, screws, 12 1/8 x 4 x 15 ¼"

Diane Dwyer “Have a Doris Day” oil on canvas, 2017, 12″ x12″

       Linda Stillman, “Shakespeare Garden”, 2015, lower stains on paper, 11 x 8 1/2″   

Taconic North, an invitational exhibition of small works from regional artists, curated by Susan Jennings and Julie Torres opens the 2017-2018 season at LABspace on Saturday April 15th and runs through Sunday June 11th. This very large show of very small works is being organized in the same spirit of LABspace, a nexus of creative community and expression. The curators have connected around their shared love of tiny artworks, and packed shows of local artists that help to expand and strengthen connections. “Taconic North” is celebration of area artists and creative community.
The show opens with a reception for the artists on Saturday, April 15 from 5-7:30. There will be several events during the show including music performances, readings talks, brainstorming and creative sessions, cocktail gatherings. Please look for announcements of these events.
LABspace was founded and is directed by the artist Susan Jennings. The gallery is dedicated to experiments in curation, exhibiting category-busting and/or materially surprising contemporary art, and hosting performance art, screenings, readings and music that push the boundaries of categorization, participation and/or experience.
LABspace is located at 2642 NY Rt 23 in Hillsdale, NY just west of NY Rt 22 in Hillsdale, NY. Gallery Hours are Saturdays 11-5, some Sundays (check our Facebook page and/or website) and by appointment via labspaceart@gmail.com
https://www.facebook.com/LABspace-620894894642447/
Peter Acheson, Yura Adams, Julia Whitney Barnes, Maureen Beitler, Dawn Breeze, Karlos Carcamo, Nurya Chana, Nicole Cherubini, Leona Christie, Marieken Cochius, Matt Crane, Douglas Culhane, Carl D’Alvia, Lisa Corinne Davis, Carol Diehl, Peter Dudek, Daniella Dooling, Diane Dwyer, Susan English, Julie Evans, Sarah Falkner, Stuart Farmery, Lacey Fekishazy, Tara Fracalossi, Chris Freeman, Matt Frieburghaus, Lorrie Fredette, Alison Fox, Jeffrey Gibson, Danny Goodwin, Elliott Green, Amy Griffin, Joan Grubin, Jared Handelsman, Sean Hemmerle, Thomas Huber, Gabriel Hurier, Will Hutnick, Kylie Heidenheimer, Brece Honeycutt, Erick Johnson, Laura Kaufman, Lisa Kirk, Henry Klimowicz, Phil Knoll, Thomas Lail, Paula Lalala, Madison LaVallee, Ellen Letcher, Life After Life (Karthik Pandian and Paige K. Johnston,) Meg Lipke, Cotter Luppi, Joel Longenecker, Maggie Mailer, Jason Wolfman Martin, Susan Meyer, Ieva Medodia, Jason Middlebrook, Laura Moriarty, Portia Munson, Sue Muskat, Tom Nicol, Petra Nimtz, Kathy Osborn, Ruby Palmer, Jon Piasecki, Elisa Pritzker, Patrick Purcell, Corinna Ripps, Michael Rodriguez, Mandolyn Wilson Rosen, Alexander Ross, Peter Rudolph, Mark Safan, Jackie Saccoccio, Katia Santibanez, Sam Scoggins, Susan Scott, Michelle Segre, Nancy Shaver, Claire Sherwood, Polly Shindler, Dee Shapiro, Julie Shapiro, Zachary Skinner, Gregory Slick, Cary Smith, Monika Sosnowski, George Spencer, Michael St. John, Jeff Starr, Linda Stillman, Amy Talluto, Susie Tarnowicz, Christina Tenaglia, Claudia Tienan, Michael Tong, Katharine Umsted, Oliver Wasow, Guy Walker, Eleanor White, Sandy Winters, Ann Wolf, Eric Wolf, Geoffrey Young, Deborah Zlotsky

Thursday, December 15, 2016

"What is There?" Recent Works by Justin Baker and Danny Goodwin (with Scheduled Events) Through January 21





















The key OOO difference between “what there is” and “what is there”, is the difference between knowing that there is an object and not knowing it. The first is a statement or conviction, the second is a question. The departure of OOO, as a study and movement, is identifying this difference. It simply states that we know there are spoons, organs, chairs, armies, planets and cocoa-beans: we just don’t know what they are. Our orientation of the thing – “what is there” – hopelessly grasps at them for one reason or another, and yet we never grasp the thing itself – the “what there is.”

--Robert Jackson, “WHAT IS THERE?” AN INTRODUCTION TO OOO AND ART (PART 1)”, Bad At Sports, January 22, 2013

Object Oriented Ontology, also known as “Speculative Realism”, occupies a new philosophical position in logical space, attempting to define a set of theses about all that is. According to proponents of “OOO” (as the cool kids dub the doctrine), objects are all that there is. And there are a lot of them. You’re an object; I’m an object; and all the crap between you and me, both living and nonliving, are objects. Under OOO, the conventional hierarchy of living matter vs. nonliving matter is effectively obliterated. Everything—people, potted plants, potholes, porn star posters, rolls of duct tape, and more—is an object that is scattered across the savannah of existence. All are equal and all are on the same plane, ontologically speaking.[1] This “weird realism” (as the founder of OOO, Graham Harmon terms it) is an apt way of thinking about the “stuff” of the Anthropocene. Much of the matter that is carved up into discrete objects, each with its own epistemological and ontological status, will continue to exist in the post-human, weird world of a radically altered climate long after we’ve managed to render ourselves extinct. By training their lenses on the objects and assemblages of the Anthropocene, photographers Justin Baker and Danny Goodwin offer a glimpse into an alternate, speculative reality of the World of Things.

Baker’s still-life images, made with an ancient 8x10” wooden view camera, invites the viewer not only to stare at the arrangements of quotidian ephemera he’s gathered and presented, but to space out, drift off, and dream. In fact, to test the elasticity of that metaphor, his work more precisely resides in the space between waking and dreaming—whether drifting off or coming to. The paradox of coming to grips with something by letting go more completely is laid bare—diagrammed, in fact. Just follow the easy-assembly instructions and add water.

For Goodwin, the object is currency, part of a systematic staging. His photographs translate our believability of objects into an imitation of, or detour into, what we think we see. Hand-constructed environments and objects impersonate their virtual counterparts and reveal the circular logic that undergirds much of the current popular fascination with 3D printing and the “internet of things.” The familiar checkerboard grid of a transparent layer in Photoshop, which is now more a signifier of empty space than actual empty space, represents more than a passive, benign background and in fact, serves as a segue to an interrogation of veracity, photographic or otherwise.


Events
Saturday January 7th
Danny Goodwin will deliver a talk “ “Beginning the End: Picturing the Anthropocene”” at 7pm

Saturday January 21st
Conversation between Justin Baker and Danny Goodwin 5pm
Closing Reception 6-8


Justin Baker grew up in Greenwich, NY. Justin has an Associate of Applied Science from Sage College of Albany, a BFA from Purchase College and a MFA from SUNY Albany (where he studied with Danny Goodwin). His photographic and video work has been shown in several solo and group shows including Means, Motive, Opportunity, The Front, New Orleans, LA; Howdy Doody, Collar Works Gallery, Troy, NY; Selected Works, BCB Gallery, Hudson, NY; Abstracted Reality, Jeffrey Leder Gallery, LIC, NY; In a Country Without Maps, Collar Works Gallery, Troy, NY; Photographic Being, Jeffrey Leder Gallery, LIC, NY; Family Blood, Yates Gallery, Siena College, Loudonville, NY; VOX IX, Vox Populi, Philadelphia, PA; Trust In Me, Field Projects Gallery, NYC, NY; Faculty Exhibit, Teaching Gallery @ HVCC, Troy, NY; 34th Photo Regional, Opalka Gallery, Albany, NY; Historical Past, Collar Works Gallery, Troy, NY. Justin teaches digital imaging and web art and design at Hudson Valley Community College. He currently lives in Troy, NY with his wife Kyra, daughters Lola and Rona, cats Lulu and Lilly.

Danny Goodwin is a native Texan, living and working in Albany, NY. His photographic, video and installation work has been seen in numerous solo and group exhibitions at Jack the Pelican Presents, Art Resources Transfer, Ronald Feldman Fine Arts, Momenta Art, and the Brooklyn Museum of Art, all in New York City, as well as the New Art Center in Boston, Massachusetts; California Museum of Photography in Riverside, California; Proposition Gallery in Belfast, Ireland; Washington Project for the Arts in Washington, D. C.; Penn State Altoona, Pennsylvania; Cartel Gallery, London, U.K.; Galerie Sans Titre in Brussels, Belgium; UKS in Oslo, Norway; and Rensselaer Polytechnic Institute in Troy, New York. Goodwin is a 2005 Artists' Fellowship recipient of the New York Foundation for the Arts (NYFA). His publication credits include The Boston Globe, Influence Magazine, Details Magazine, i-D Magazine, Pierogi Press, The Brooklyn Rail, The New York Daily News, The Washington Post, The Seattle Times, The Ft. Worth Star-Telegram and The Albany Times Union. He is Associate Professor of Art and Head of Photography and Related Media in the Department of Art and Art History at the University at Albany, State University of New York.  He has previously taught photography and digital imaging at both Purdue University and the Cooper Union School of Art and received an M.F.A. in Combined Media from Hunter College in 1992 and a B.F.A. in Photography from the School of Art at the University of North Texas in 1989.

[1] Cole, Andrew. Those Obscure Objects of Desire: Andrew Cole on the Uses and Abuses of Object-Oriented Ontology and Speculative Realism, Artforum, Summer 2015, pp. 318-23.



Images,
Top: Danny Goodwin, Duct Tape Decoy, 2014, Archival Pigment Print on Paper, ed of 4
Just Above: Justin Baker, Savanah, fern and rug, 2014, Archival Pigment Print on Paper, ed of 4

 LABspace was founded and is directed by the artist Susan Jennings. The gallery is dedicated to experiments in curation, exhibiting category-busting and/or materially surprising contemporary art, and hosting performance art, screenings, readings and music that push the boundaries of categorization, participation and/or experience.

LABspace is located at 2462 NY RT 23 just west of NY RT 22 in Hillsdale, NY. The gallery is open on Saturdays from 11-5. On special occasions we are also opened in the evening for scheduled events as noted. We are also open  by appointment via labspaceart@gmail.com

PLEASE NOTE THAT THE GALLERY WILL BE CLOSED FROM JANUARY 22nd THROUGH EARLY APRIL. PLEASE WATCH FOR ANNOUNCEMENTS.
For further information please contact labspaceart@gmail.com


http://labspaceart.blogspot.com/
https://www.facebook.com/pages/LABspace/620894894642447?fref=ts

Thursday, December 8, 2016

YAA (Young Albany Artists) Present "per vert (v. tr)" at LABspace December 9-11












 
LABspace and YAA (prounouced “yah”- a group of young Albany-based artist)  are pleased to present

\per-‘vert\ {v. tr.}.

1. Alter something from its original course, meaning or state to a distortion or corruption of what was first intended. Oxford English Dictionary

2. A group show exhibition of painting, drawings, sculpture, printmaking and animation

The verb “to pervert” is the organizing principal around this show. These artists are actively perverting standard uses of materials and subject matter, deteriorating form, playing with contortions of reality, and/or creating interdisciplinary, cross-media artwork. A reception will open the show on Friday, December 9th from 6:30-8:00 pm. Gallery Hours are Saturday December 10th from 11-5 and Sunday December 12 from 11-2.
Bugzdale begins with digital photographic self-portraits, which he then transfers to canvas. He works into the canvas with acrylic paint and modeling paste creating areas of pure abstraction alongside areas representation.

Jake Fallat perverts the use of traditional metal casting of busts and  portraiture along with animal organs collected from his day job as a butcher to create metal castes of grotesque imagery.

Kelsey Bzdyk paints on panel to open portals of perception of space and perspective. She creates geometrical grids which separate various imaginary patterns and universes.

Robert Houle asserts there is no such thing as representational art, therefore all art is an abstraction. Using intuitive mark-making he constructs figurative realism from an abstraction that changes focus depending upon scale.

Ariana Schrader-Rank contrasts perceptions using her work with printmaking, drawing, animation and other various media. By integrating dynamic relationships into her process the final outcome is one that is elaborate, yet subtle.

Bettina Martin creates figurative abstractions of the female form that look fragmented, almost like stained glass. Martin,  a tattoo artists by trade, is concerned with the role of women in the tattoo industry and the concept of female body modification.  However this work perverts rather than convert by appropriating the tattooed female figures and classical representations of women, as well as tattoo flash sheets (pre drawn designs for the mainstream use in tattoo shops) and through the use of Photoshop Martin creates a corruption of the classical.

Melissa Flagler paints awkward and clich├ęd snapshots her moments of voyeurism that encounters of other people’s interactions. Actual happenings, remembered or recorded become her subject, commenting on the quirks of society and actors. Using oil paint, she emphasizes the figures and removes or negates their setting.

LABspace was founded and is directed by the artist Susan Jennings. The gallery is dedicated to experiments in curation, exhibiting category-busting and/or materially surprising contemporary art, and hosting performance art, screenings, readings and music that push the boundaries of categorization, participation and/or experience.

LABspace is located at 2462 NY RT 23 just west of NY RT 22 in Hillsdale, NY.
For further information please contact labspaceart@gmail.com


http://labspaceart.blogspot.com/
https://www.facebook.com/pages/LABspace/620894894642447?fref=ts



Thursday, October 13, 2016

BEDFELLOWS, a Group Exhibition Full of Strange Characters at LABspace Oct 15-Dec 3


BEDFELLOWS, a group exhibition of photography, painting and sculpture that pushes notions of figuration, to open at LABspace

LABspace is pleased to present BEDFELLOWS, a group exhibition including works by Eric Aurandt, Dan Devine, Francine Hunter McGivern, Frau Kolb, Ola Manana, Cindy Sherman, Laurie Simmons, Guy Walker and Oliver Wasow.


The show opens Saturday October 15th with a reception from 3-5pm at the gallery in Hillsdale, NY. The show continues through December 3rd with gallery hours on Saturdays from 11-5 and by appointment.
 

Each of these artists creates strange and compellingly unusual characters with their chosen media.

Eric Aurandt sculpts and draws lumbering men who are at once appealing and nearly grotesque. Dan Devine makes photographic portraits of sheep that he combines with a security camera creating a somewhat confrontational situation in which the viewer seems to be surveilled by the wooly animals. Francine Hunter McGivern collaborated with the photographer Kevin Higgins to create black and white photographic portraits of Hunter McGivern performing while hanging in a net body sock. Frau Kolb paints group portraits of her family members. Ola Manana paints strange and mysterious figures culled from her dreams. Cindy Sherman photographs strange beings she creates with props, Laurie Simmons sets up doll figures in front of rear screen projections of tourist destinations around the world, Guy Walker makes plastic fresco totem  figure sculptures. Oliver Wasow photographs interesting people in his life in his green screen studio and later adds landscapes as backgrounds.

LABspace was founded and is directed by the artist Susan Jennings. The gallery is dedicated to experiments in curation, exhibiting category-busting and/or materially surprising contemporary art, and hosting performance art, screenings, readings and music that push the boundaries of categorization, participation and/or experience.

LABspace is located at 2462 NY RT 23 just west of NY RT 22 in Hillsdale, NY. Gallery hours are Saturdays from 11 a.m. to 5p.m., and by appointment via labspaceart@gmail.com.

For further information or high resolution images please contact labspaceart@gmail.com


http://labspaceart.blogspot.com/
https://www.facebook.com/pages/LABspace/620894894642447?fref=ts










Photos:
Cindy Sherman, Untitled, 1992, Cibachrome
Eric Aurandt, My Darling, 2014, Spray paint and acrylic on canvas
 Francine Hunter McGivern with Kevin Higgins, Muse #2 (a performance document photograph), 1982, black and white photograph
Oliver Wasow, Ian, 2014, Digital Print